‘I don’t think I’m alone in feeling that the real New Year doesn’t begin on 1 January but on 1 September.
September is a brilliant month because your skin is still glowing from the summer sun, the weather is gently creeping into lovely, bronzed autumn and you can begin making the transition into your winter wardrobe.
Technically, September always has been the New Year for me…..
This weekend I spent most of my time enjoying the Affordable Art Fair, a wonderful annual event on our doorstep in Battersea Park. The fun is to be able to pop back everyday and see what catches my eye, not only do the exhibits change throughout the show but often I miss things on my first and or second or third visit! This year although there wasn’t anything I was desperate to hang on our walls there was a wonderful piece that did keep drawing in and I kept going back to, Autogenesis, 2016 by Jo Bradford represented by Eyestorm.
On Sunday morning I read a wonderful article by India Hicks and it very much appealed to me and below I have stolen some of her words as the perfect introduction to this blog…
‘John Betjeman wrote of “ghastly good taste” in the context of architecture, but the phrase has many useful applications.
The desire to ape French women (thin, unhappy and wondering who their husband’s shagging) falls into this category. So do those terrifying barren interiors – kitchen, notably – that we’re meant to admire: half hospital, half morgue, with zero evidence of any kind of living happening in them. This is the kind of taste that doesn’t trust itself, which means it’s no taste at all. Give me fridge magnets any day. And a battered sofa on which to drink fantastically vulgar, homemade cocktails’. India Knight in the Sunday Times Magazine.READ MORE
Painting the Modern Garden – Monet to Matisse, at the Royal Academy of Arts was a feast for the eyes and the imagination. It is a wonderfully rich exhibition that certainly didn’t disappoint but most importantly reinforced the strength and influence between fine art and interiors. The colour palette across each painting is inspiring and surprisingly modern, for example from the greens to the pinks – a wonderful myriad of colours.
Having grown up in Scotland, the Burrell Collection was very much part of my childhood and as a result developed a love of ‘the Glasgow boys’. I was so excited to see the Fleming Collection’s latest exhibition. On for a such a short time but a wonderful inspiration.